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The book that named the problem of the twentieth century.

The Souls of Black Folk

W. E. B. Du Bois · 1903

In 1903, Du Bois gave the color-line its sharpest formulation and coined double-consciousness to describe what it costs to live behind it — language that still does real work in how Americans talk about race. It's also the founding document of the Washington–Du Bois debate over strategy that still echoes in arguments about uplift, respectability, and political power, and it closes by making the case that the Sorrow Songs are not folklore but the nation's only original art.

These essays document Reconstruction-era and Jim Crow racial violence and use period language throughout; both are presented unaltered as Du Bois wrote them.
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16 chapters · 68,401 words · ~5.2 hr read

Contents

Forethought

Du Bois states his subject — the problem of the color-line — before he begins.

The Veil and the Color-Line

Double-consciousness, Reconstruction's betrayal, and the break with Booker T. Washington.

Education, Progress, and Atlanta

What progress costs one family, Atlanta's temptation toward Mammon, and the case for liberal education.

Life in the Black Belt

Land, debt, and the color-line at work in Georgia's plantation country and beyond.

Faith, Grief, and a Story Twice Told

The Black church, a father's mourning, a portrait of hard-won dignity, and a short story of two men named John.

The Sorrow Songs and After-Thought

The spirituals as evidence and art, and a closing prayer that the book not fall still-born into the world.